MUSEUM HOURS
OPEN – Tues, Thurs, Fri: 11-5 p.m. Wed: 11-7p.m. Weekends:1-5p.m.
June, July and December Hours: Tues-Sun: 12-4 p.m.

CLOSED - Mondays, and Dec. 17-Jan. 11 (Winter Recess),
Daytona 500 Weekend, Daytona State College Spring Break, July 4,
Thanksgiving Weekend, July 31 -Aug. 16 (Summer Recess).

MUSEUM LOCATION
Unless noted otherwise, all museum exhibitions, events and films are presented at the Southeast Museum of Photography which is located on the Daytona Beach campus of, Daytona State College at 1200 International Speedway Blvd, three miles east of 1-95. The museum is located in the Mori Hosseini Center (Bld. 1200). Visitor parking is available. Admission & Events are free. For detailed exhibition and program information visit www.smponline.org or call the museum information hotline at (386) 506-3894

A world-renowned museum in the heart of Daytona Beach. Located 3 miles east of I-95 at the front of Daytona State College on International Speedway Blvd. Visitor parking avaliable. Major international collection and world-class exhibitions of contemporary and vintage photography in stunning modern galleries. Films, seminars, workshops, lectures, children's programs, bookshop and coffee shop.

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Exhibitions:

LYONIA GALLERY
April 15 – September 5
Florida Vernacular – Rick Lang

Rick Lang is a documentary photographer and educator whose photographic work
reflects his interest in the history and culture of the American South. This
exhibition presents a grouping of images of vernacular and often simple signs and
buildings from many different parts of Florida. These images demonstrate Lang's
commitment to documenting the signs and symbols used by everyday citizens to make
their voice and opinions public.


Rwanda/Intended Consequences – Jonathan Torgovnik
Sept. 4 – Nov. 7, 2010

Intended Consequences brings together images and text that reveal the intensely personal accounts of Rwandan rape victims and the children that were born as a result. Torgovnik provides a glimpse into the lives of these women and their children through portraits and interviews that expose their daily struggles and feelings about raising a child who is a constant reminder of genocide.


Home Stills – Bastienne Schmidt
Sept. 4 – Nov. 7, 2010

Home Stills consists of a series of large-scale photographs and drawings that look at domestic gender role and identity. Schmidt’s work is influenced and informed by commercial photography from the fifties and sixties which depicts life at home of women in different poses of domesticity and gender stereotypes.


I still do – Judith fox
Sept. 25– Dec. 16, 2010

I Still Do is a poignant and beautiful portrayal of a man with Alzheimer’s disease as seen through the loving lens and words of his wife and care-partner, Judith Fox. Fox has been featured in dozens of newspaper and magazine articles, interviewed on numerous television and radio shows, as well as having her award-winning photography showcased at multiple venues and represented in collections throughout the United States and Europe.


Photographs - Elaine ling
Sept. 25– Dec. 16, 2010

Elaine Ling explores the shifting equilibrium between nature and the man-made in eloquent portraits and documents from the margins of communities and societies and the far-flung corners of the world. This exhibition brings together two series of her large format photographs from these often exotic locations and from two worlds that are utterly different.


Events:

Sept. 4

Exhibition Opening Reception & Lecture

Rwanda/Intended Consequences – Jonathan Torgovnik

Lecture: 5 pm

Reception: 6-7:30 pm

Sept. 8

*Dinner and a Movie: Demagogues, Despots and Charlatans

Man of Marble

Dir. Andrezej Wajda (Poland, 1976) 160 min.

7:15 pm

Sept. 9

*Documentary Visions

Nanook of the North – A Story of Life and Love in the Actual Arctic

Dir. Robert J. Flaherty (USA, 1922) 79 min.

1:30 & 6:00 pm

Sept.10

*1960 A Year in film

The Apartment

Dir. Billy Wilder (USA, 1960) 125 min.

1:30 pm

Sept. 15

*Wednesday movie matinees: Saints & Sinners

Cleopatra

Dir. DeMille (USA, 1934) 100 min.

1:30 pm

*Dinner and a Movie: Demagogues, Despots and Charlatans

Nashville

Rating: R Dir: Altman (USA, 1975) 159 min.

7:15 pm

Sept. 16

*Documentary Visions

Triumph of the Will

Dir. Leni Riefenstahl (Germany, 1936) 120 min.

1:30 & 6:00 pm

Sept.17

*1960 A Year in film

Psycho

Dir. Alfred Hitchcock (USA, 1960) 109 min.

1:30 pm

Sept. 18

¨ Children’s program

Free Family Photo Fun Day 1-3 pm

Sept. 22

*Wednesday movie matinees: Saints & Sinners

Mary, Queen of Scots

Dir. Jarrott (UK, 1972) 128 min.

1:30 pm

*Dinner and a Movie: Demagogues, Despots and Charlatans

The Music Man

Dir. DaCosta/Benson (Poland, 1962) 161 min.

7:15 pm

Sept. 23

*Documentary Visions

Prelude to War/Nazi’s Strike (Volumes One and Two, Why We Fight)

Dir. Frank Capra (USA, 1943) 95 min.

1:30 & 6:00 pm

Sept.24

*1960 A Year in film

Inherit the Wind

Dir. Stanley Kramer (USA, 1960) 127 min.

1:30 pm

Sept. 25

Exhibition opening reception & Lecture

Photograhs – Elaine Ling

Lecture

5 pm

Reception

6-7:30 pm

Sept. 29

*Wednesday movie matinees: Saints & Sinners

The Rise of Catherine the Great

Paul Czinner/Alexander Korda (USA, 1934) 95 min.

1:30 pm

*Dinner and a Movie: Demagogues, Despots and Charlatans

A Face in the Crowd

Dir. Kazan (USA, 1957) 125 min.

7:15 pm

Sept. 30

*Documentary Visions

Hospital

Dir. Frederick Wiseman (USA, 1969) 84 min.

1:30 & 6:00 pm

*Kino – Film and Video Programs

Wednesday Movie Matinees: Saints and Sinners

We continue our afternoon film matinee series with performances by some of the greatest film actresses of all time. The titles in Saints and Sinners reflect one of the most illuminating divisions that have been present in so many of the great roles for women in the movies. From ruthless and scheming queens to hapless ingénues, we see it all in this captivating series. Join film and art historian and series host Laura Stewart for background information, discussion and audience Q&A.

Dinner and a Movie: Demagogues, Despots and Charlatans

Compelling, confounding, alarming and even appallingly humorous tales; these movies present the stories of some real and some imagined hucksters, charlatans and demagogues. It seems we live in a world now where we are surrounded by ever more of these characters. View these rarely seen titles in pristine large-screen restored condition with full cinema quality picture and sound.

Documentary visions

This interdisciplinary documentary film series examines many of the major milestones in the evolution of the documentary. Starting with what is regarded as the first documentary film, Robert Flaherty’s Nanook of the North, the series traces important, conceptual, ethical and stylistic shifts as documentary film specialist Eric Breitenbach for background information, discussion and audience Q & A. Note, Eric Breitenbach will only host the 1:30pm screenings.

1960 A year in film

The year 1960 was truly one of the turning points in world history, and singularly a breakthrough year in modern film. Across the globe, new forms, experimental narratives and daring content broke with the old styles, once, and for all. Cinema would never be the same again.

¨ Children’s program/Workshops

Enjoy an afternoon of free parent-child art and photography sessions for children aged 7-14. Museum staff will lead a variety of fun activities that will explore new ways of seeing and creating. As an added bonus, get a sneak-peek of the upcoming children’s workshop series!